Following a private performance, folk music icon Erik Darling wrote the following letter to Josh:
| Okay, so I asked myself, what is it about your magic that makes me feel better? Id seen that rubber ball trick at least three or four times, now, and I realized, that every time I see it, I feel the same surprise, even though I know whats coming. My senses observe, ever so carefully, what has to be: then it isnt. And I shake my head, How does he do that? How in the hell?! And I really wonder, How he does that? Yet, I dont want to know. I dont want to take that endless possibility of surprise out of my life. Your stuff is like Country Music, which takes what your senses expect and turns them around, causes the mind to, necessarily, go to where learning and creativity happens. Ones normal everyday patterns are turned on their end. Its like what good meditation should do, and so seldom does. Such phrases, for example, as Ive always been crazy, but its kept me from going insane. Or, She got the gold mine, I got the shaft. One smiles at such turn of phrases, without having to try, and it feels good. The very thing the mind does, is what feels good. Same with a painting : the mind has to pull the brush strokes together, necessarily, to see the painting. That very act of combining disparate parts to make sense of something, is what the mind has to do to survive, in other contexts, and it feels good. Profoundly good, actually. Your magic does this. The juxtaposition of expectation and utter surprise, causes the soul to turn inward, I think, to some fundamental process that reminds the mind of its magic, of how it likes surprise and adventure, and not to be bored. Its the essence of being alive, I think. Feels good to be there, and all other concerns are forgotten, if only for minutes. Powerful stuff. For whatever its worth. I felt so good about life after I saw your performance that I wanted to write these thoughts down and send them the night I got home, but it just was too late, and then life had its way. But, it is never too late, Erik |